children tucked up with a long-distance word from their mama and I'm
wrapping myself around Martin Taylor's sleepy, smoky jazzy riffs for
late-night grown-ups and wondering if I'll ever get to be good enough
to improvise a few of my own. Today the fiddle part of Fiddle and
Pins was hauled out blinking into the grey daylight of a wet and
misty afternoon, actually a wet morning too and probably, after I
finish here, an unbelievably wet evening as well. Last night's concert
reminded me that music can be the best company ever, even if you're a
crap musician like me. One of the joys of electric violins is that
while I'm going through this hideously discordant re-acquaintance
with my fiddle, I'm near as dammit inaudible.
Trust me, this is a blessing. On an acoustic violin I'd sound ten
times more ferkin' awful than I do now. But now, I can saw away and
feel like I'm really sounding not too bad, mainly because all I can
hear is whatever genius I'm jamming ( I use this word loosely) along
with.
It does give me a completely illusory feeling of playing well, and at
this stage in the game, that can only be a good thing, because if I
could really hear what I sounded like, I'd consign my little black
bendy fiddle to its case and never let it see daylight again. So
today I've played along with Afro Celt Sound System, Charlie Haden &
Pat Metheny, Martin Taylor, Martyn Bennet and Jesse Cook. In my
imagination I'm up there in front of a wall of Marshall amps, speaker
towers, decks and...oh do shut UP, you at the back, I know I'm a sad
git.
Today the World of Real Work As Opposed To residency work sent an
email wondering if I'd had any thoughts regarding a cover for The
Trouble with Dragons. I hear the sound of distant whips, I fear. It's
odd, having crossed the tipping point of the residency and cantering
towards the home run enables me to hear what has largely been
inaudible until now. And what do I hear, pray?
Money talks
I can't deny
I heard it once
It said 'Goodbye'.
Amazing how I've managed to tune out the normal background hum of
money-related anxieties. I really feel about a million miles away
from all that nonsense. But, alas, we have to eat, shoe the children
and keep the roofs from blowing off, so perforce, I have to nail my
nose back to the grindstone. I mean I haven't exactly been taking it
easy, but I have taken time out to do stuff that feeds the soul
rather than the maw of Mammon. I don't want to give the false
impression that the residency has been one long sojourn in the Big
Easy, but I am all too aware that pretty soon I'll have to re-engage
with The Moderately-Sized Difficult.
Cue the Cajun music. Ma jolie blonde va gris maintenant. Zydeco
filles go wahhhhhh. Iko, iko stay here.
No comments:
Post a Comment